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by the AGW Review Crew
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Lesha, 16, of our Hollywood Preview crew, went to a screening of a new romantic musical film. Here's the scoop on: MOULIN ROUGE Hey, Obi-Wan Kenobi and that chick from Batman Forever
can sing! Moulin Rouge is a musical and we haven't seen a new
one of those for a light-year. Christian (Ewan McGregor) is a struggling poet/writer in the Paris of 1900. In flashback, he tells us the story of his lost love. In Montmartre, the Haight-Ashbury of Paris, Bohemian artists work on theatrical productions in the "summer of love". Dwarfish artist Toulouse-Lautrec (John Leguizamo) is putting together "Spectacular Spectacular" a stage presentation that needs a writer. Christian gets the job but must impress Satine (Nicole Kidman) the gorgeous star of the Moulin Rouge nightclub, who will headline the production. At the Moulin Rouge, Satine mistakes Christian for a Duke (Richard
Roxburgh) whom she hopes to seduce to finance the production. Satine
and Christian fall in love when he sings her some of his latest compositions.
The Duke insists he'll only back the production if Satine will be
his exclusively. As the story of "Spectacular" mirrors what
is happening in real life, the Duke finally catches on and when Satine
rebuffs his advances, he threatens to kill Christian if she doesn't
get him out of her life. Fearing for her lover's life, Satine must
make a terrible choice. Moulin Rouge is the refreshing opposite of all the slam/bam,
computer effects-laden films out this summer. Don't get me wrong.
There is plenty of action and loads of effects are used in this film
but to create imperfection, to create a feeling that the world was
hand made. This world is gritty. Nicole's eyes are often bloodshot
and Ewan's teeth are not perfect "actor" white. Like A Knight's Tale, this film uses pop music in a period not its own in order to make the story more accessible and real to modern audiences. When Satine struts her stuff on stage, it's to the tunes of Madonna's "Material Girl" and "Diamonds are a Girl's Best Friend" not the cancan. Nicole and Ewan serenade each other with a medley of every pop love song you've ever heard from Paul McCartney to Sting. In the cabaret scenes, the Lil' Kim, Christina Aguilera, Mya and Pink version of "Lady Marmalade" rocks the crowd and Christian gets his job by singing a Julie Andrews standard from "The Sound of Music". There are original songs as well. The love song "Come What May" is a gorgeous ballad. I would only complain that the sound mix isn't always as balanced as it should be in the duets. Perhaps this is because Ewan's voice is so much stronger than Nicole's. Director Baz Luhrmann (William Shakespeare's Romeo and Juliet) has painted a gaudy, glamorous underworld and presents his classic story with humor and tears. It's all dressed up with great sets and fabulous costumes and comes at us with fast-paced editing. Even if you don't think you like musicals, this one may change your mind. It's so clever and innovative that you'll chuckle when hearing a familiar song and be tempted to shed a tear as the hero discovers the ultimate truth. "The greatest thing you'll ever learn is to love and be loved in return".
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