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Jake Gyllenhaal:Melting the Iceby Lynn B.
We spoke with Jake a few months ago when he launched a trailer for the film in an L.A. ice house. With “Tomorrow” launching this week, we again chatted with the funny, friendly actor about trying to create a fully fleshed-out character within a big budget effects film with a message, freezing on a very wet and gross set, learning to be a better actor and an action hero and working on his upcoming film projects. Picture Jake in his own wrinkled shirt (hey, most guys don’t iron anything!) and a very tailored black jacket (probably provided to him by a stylist). AGW: Let’s start off with a good one. What is the most embarrassing moment you’ve ever had on a set? Jake: Well I know this is going to sound really actorly, but probably when I haven’t delivered what I know everybody knows I can deliver and what I know I can…then I don’t. That’s pretty embarrassing. AGW: Can you talk about the most challenging thing you had to do in this film? Jake: The most challenging thing for me was making scenes that I think have very little sub-text have some reality to them. You have to get so much information in in such a short period of time. Making something feel like you’re actually saying it and it’s not some plot device was really hard for me. And then there’s the tank. I like sitting in a tank with 700 extras going in the bathroom in it (ewwwww, he later said he was kidding) and then reusing that water to then shoot another scene where you’re drowning in water. That’s disgusting, and it’s hard, but it’s not as hard as like trying to make a line like ‘He will come,’ work. [Laughter] That’s really hard. AGW: So this film script wasn’t big on character development? Jake: This is a movie that reaches a lot of people in a lot of different countries all over the world that don’t all speak English, and who don’t all understand Americanisms and things. There needs to be things that are simple and can be translated. So many people see it and it’s important for it to have a message, but it’s also a problem because you don’t, as an actor, get to play around as much, but it services this type of film really well. And you can’t do it any other way because it’s just talk and get hit in the face with action. AGW: You and Dennis Quaid play dad and son but didn’t have many scenes together to establish your relationship. Did you talk about it? Jake: Yeah, well I was really gung-ho at the very beginning of the movie, trying to make the relationship really poignant, you know. I remember Dennis kind of sitting me down one day and saying like, ‘You gotta chill out. It’s an action movie.’ [Laughter] He was funny about it, but he was like, ‘You have to make this work, but like again it has to be in the vein of what it is’. I would come in when he was doing phone scenes, when we’re talking on the phone, and be there in the other room for him. So, I was there. AGW: Did you hang out a lot together too, off the set? Jake: No we didn’t have that much time really. We worked very sporadically. He would work a week and then I would come in. So, then I would work for two weeks, he’d work, I’d leave, he’d work for two weeks. AGW: This was your first big action film. Were you kind of lost?
AGW: Was there awareness among the cast that you were in an action movie with a message (about global warming)? Jake: Yeah. Whenever I would get down or I’d be having a hard time or I’d be in the middle of nowhere in the cold in Montreal I’d always say to myself, 'At least this movie has something to say.' We think it’s an issue that’s really important. AGW: This movie may push you more into the public eye and more in front of the paparazzi. Are you ready for that? Jake: If it were to happen I would have a better perspective on it then, but I knew what I was getting myself into and if I didn’t, well, I shouldn’t be doing it. And if I’m going to complain about it I shouldn’t be doing it either. There’s a part of me, a part of that masochistic side, that likes it and then there’s also part of me that doesn’t like it. There have been a few times recently where I go home and I need to take my dog for a walk and then there’s these guys taking pictures of me taking my dog for a walk. For a little while, it was a time when I could just unwind and now it’s not that anymore. But I know what it’s about. AGW: But your dog doesn’t. Jake: [Smiles] Yeah, the dog doesn’t, but I can teach the dog how to sic photographer. [Laughter] Sic camera, sic photographer. AGW: How close were you actually to getting Spiderman 2 or was that just blown out of proportion? Jake: It’s kind of stupid to talk about because it’s not my part, and it’s Tobey’s part. It’s his and it always will be, and it came up when there were issues with his back and what was going on with that, and it was really flattering, but I’m really happy that he’s playing the part. AGW: You have a great cast in this film. Is it important to star opposite somebody that is really supportive? Jake: Yeah. But then there are actors who are really amazing who I’ve worked with, who I just don’t mesh with also, who give an incredible performance, and we just don’t have the same style. I unfortunately, right now in my life need a lot of help, and there’s some actors that don’t help. There are some actors who can just rehearse and show up and deliver and then give you a little on your side and then you go home. I really need a real connection. AGW: What did you learn on this movie that you had not learned before? Jake: Learning how to relax was a really big thing, to not take things so seriously. There’d be days where I’d come off set, before I did this movie, I’d be like, ‘I stink’, and beat myself up all night. Waste my free time, and it’s done and it’s over, and this movie, because I knew a lot of it was beyond my control, I just kind of walked off set and would be like, ‘That’s it, I thought it stunk, but it’s fine, I have tomorrow to figure it out.’ And I’m going to take that into more character-driven serious performances, and again I think it really loosens me up. AGW: Did you decide to drop out of college? Jake: Yeah. I don’t know. I might go back. I went to Columbia. I learned really core modern western thought in two years and what shaped that, and I feel myself very well educated because of it, so whether I graduate and I get the degree – I’m just hoping for one of those honorary degrees. AGW: Donnie Darko is a cult film among teens and young adults especially. It’s being re-released – what are they changing in the film and do you think it will find more of an audience now? Jake: I’m not sure what the next installment, the next version of Donnie Darko will be. I know that Richard (the director) is re-cutting it and it will be 20 more minutes. I’m really interested to see if it just going to kind of stay this thing that people want to be underground, in the shadows, or if people are really going to want to see it like that. I’m just happy because things like that don’t get a second chance that often. We were joking the other day that the new version would be like me and Richard doing a commentary over it, ‘That was such a fun day.’ ‘I know’ or like, ‘this is the new version? This stinks’. Pictures Copyright © 20th Century-Fox |
 
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Cute,
blue-eyed, dark-haired actor Jake Gyllenhaal is usually the indie-film
king playing angst-ridden young men in off-beat, intense, character-driven
dramas like Donnie Darko or The Good Girl. When Tobey
Maguire’s back was giving him fits, Jake almost donned the Spider-Man
tights but Tobey recovered. Finally, Kirsten Dunst’s fave hottie
gets his turn at a big effects actioner as the star of the mega-disaster
film The Day After Tomorrow.
Jake:
Yeah. I was, you should have seen me, I was like independenting it. [Laughter]
I was not hitting my mark and being in the moment and doing whatever I
needed to do, and they’re like, ‘There are 800 extras behind
you, dude. You’ve got to hit the mark’. And Roland is like,
‘And there is an enormous wave that I’m figuring out, so you
need to be in the blue screen’. So there was that. But, I also think
that [independent] spirit needs to be in these movies because if it’s
not, then they stink and they’re really boring to watch and I think
you want people to be enthusiastic about their performance in the movie
even though people don’t necessarily remember the performances in
them. I know that people walk out of the movie going, ‘Oh, that
wasn’t stupid, that was actually like scary and fun, and I believe
that.’ Because we all have that attitude.